40
1.0

小猪宝贝

导演:
克里斯·努安
主演:
克里斯汀·凯文诺,米瑞安·玛格莱斯,丹尼·曼恩,雨果·维文,米丽亚姆·福林,露西·泰勒,Evelyn,Krape,Michael,Edward-Stevens,Charles,Bartlett,保罗·利云斯顿,罗斯科·李·布朗尼,詹姆斯·克伦威尔,玛格达·苏班斯基,Zoe,Burton,Paul,Goddard,Brittany,Byrnes,马歇尔·纳皮尔,John,Doyle,罗斯·巴格利,Gemini,Barnett,黛比·德里贝里,贾茨·雷科尔,Courtland,Mead,凯文·贾马尔·伍德斯,
别名:
未知
1.0
40人评分
澳大利亚,美国
语言
未知
上映时间
未知
片长
简介:
猪麦最初作为游乐节目里的礼品来到了霍吉特的农场。这里的动物各司其职,坚守自己的岗位,猪麦只是其中不起眼的一员。
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马丁·弗罗斯特的内心生活
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上映时间:202525PRCamTue, 03 Jun 2025 05:30:43 +080006062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活